A Brave and Startling Truth, Maya Angelou

A Brave And Startling Truth 

 

We, this people, on a small and lonely planet 

Traveling through casual space 

Past aloof stars, across the way of indifferent suns 

To a destination where all signs tell us 

It is possible and imperative that we learn 

A brave and startling truth 

And when we come to it 

To the day of peacemaking 

When we release our fingers 

From fists of hostility 

And allow the pure air to cool our palms 

 

***

 We, this people, on this small and drifting planet 

Whose hands can strike with such abandon 

That in a twinkling, life is sapped from the living 

Yet those same hands can touch with such healing, irresistible tenderness 

That the haughty neck is happy to bow 

And the proud back is glad to bend 

Out of such chaos, of such contradiction 

We learn that we are neither devils nor divines 

 

When we come to it 

We, this people, on this wayward, floating body 

Created on this earth, of this earth 

Have the power to fashion for this earth 

A climate where every man and every woman 

Can live freely without sanctimonious piety 

Without crippling fear 

 

When we come to it 

We must confess that we are the possible 

We are the miraculous, the true wonder of this world 

That is when, and only when 

We come to it.

 

~ Maya Angelou ~

 

 

 

(A Brave and Startling Truth)

 

We're They Hands Would They Flower, Rob Schlegel

Were They Hands Would They Flower   Rob Schlegel

Why are you grieving? Because the others are grieving. You are not compelled to grieve independently? The grass needs raking. The grass? The leaves. I will build a fence to keep them from the sea. Then will you help the others? Tollers ring bells even the dead can hear, a ringing such that I am bound to. And the leaves? When they are taken by the waves I give them names, desiring in this act a homecoming to which I am constantly denied on account of other people’s prayers.

Still I Rise, Maya Angelou

Still I Rise   Maya Angelou

You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. Does my sassiness upset you? Why are you beset with gloom? ‘Cause I walk like I’ve got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I’ll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries? Does my haughtiness offend you? Don’t you take it awful hard ‘Cause I laugh like I’ve got gold mines Diggin’ in my own backyard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I’ve got diamonds At the meeting of my thighs? Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I’m a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise

Dirty Face, Shel Silverstein

Dirty Face

BY SHEL SILVERSTEIN

Where did you get such a dirty face,

My darling dirty-faced child?

 

I got it from crawling along in the dirt

And biting two buttons off Jeremy's shirt.

I got it from chewing the roots of a rose

And digging for clams in the yard with my nose.

I got it from peeking into a dark cave

And painting myself like a Navajo brave.

I got it from playing with coal in the bin

And signing my name in cement with my chin.

I got if from rolling around on the rug

And giving the horrible dog a big hug.

I got it from finding a lost silver mine

And eating sweet blackberries right off the vine.

I got it from ice cream and wrestling and tears

And from having more fun than you've had in years.

Forever Oneness, Bee Lake

Forever Oneness,

who sings to us in silence,

who teaches us through each other.

Guide my steps with strength and wisdom.

May I see the lessons as I walk,

honor the Purpose of all things.

Help me touch with respect,

always speak from behind my eyes. 

Let me observe, not judge.

May I cause no harm,

and leave music and beauty after my visit.

When I return to forever

may the circle be closed

and the spiral be broader.

 

 ~ Bee Lake ~

 

(an Aboriginal poet)

Sea and Rain: Lake Michigan, Keith Taylor

Sea and Rain: Lake Michigan   Keith Taylor

after James McNeill Whistler, 1865 There is a dance at water’s edge, a movement between the lake, its sand and the horizon where lake becomes cloud. Between those lines our world’s a thin wash of muted tones, beige and gray with a hint of white, almost abstract, until the dancer steps out into the pool. She makes the whole thing real

Mindful, Mary Oliver

Mindful

Every day

I see or hear

something

that more or less

kills me

with delight,

that leaves me

like a needle

in the haystack

of light.

It was what I was born for -

to look, to listen,

to lose myself

inside this soft world -

to instruct myself

over and over

in joy,

and acclamation.

Nor am I talking

about the exceptional,

the fearful, the dreadful,

the very extravagant - 

but of the ordinary,

the common, the very drab,

the daily presentations.

Oh, good scholar,

I say to myself,

how can you help

but grow wise

with such teachings

as these -

the untrimmable light

of the world,

the ocean's shine,

the prayers that are made

out of grass?

~ Mary Oliver ~

 

(Why I Wake Early)

Dreamwood, Adrienne Rich

 Dreamwood

BY ADRIENNE RICH

In the old, scratched, cheap wood of the typing stand

there is a landscape, veined, which only a child can see

or the child's older self, a poet,

a woman dreaming when she should be typing

the last report of the day. If this were a map,

she thinks, a map laid down to memorize

because she might be walking it, it shows

ridge upon ridge fading into hazed desert

here and there a sign of aquifers

and one possible watering-hole. If this were a map

it would be the map of the last age of her life,

not a map of choices but a map of variations

on the one great choice. It would be the map by which

she could see the end of touristic choices,

of distances blued and purpled by romance,

by which she would recognize that poetry

isn't revolution but a way of knowing

why it must come. If this cheap, mass-produced

wooden stand from the Brooklyn Union Gas Co.,

mass-produced yet durable, being here now,

is what it is yet a dream-map

so obdurate, so plain,

she thinks, the material and the dream can join

and that is the poem and that is the late report.

October/November 1987

Source: Poetry (June 2012)

Straight TLk From Fox, Mary Oliver

Straight Talk From Fox

 

Listen says fox it is music to run

over the hills to lick

dew from the leaves to nose along

the edges of the ponds to smell the fat

ducks in their bright feathers but

far out, safe in their rafts of

sleep. It is like

music to visit the orchard, to find

the vole sucking the sweet of the apple, or the

rabbit with his fast-beating heart. Death itself

is a music. Nobody has ever come close to

writing it down, awake or in a dream. It cannot

be told. It is flesh and bones

changing shape and with good cause, mercy

is a little child beside such an invention. It is

music to wander the black back roads

outside of town no one awake or wondering

if anything miraculous is ever going to

happen, totally dumb to the fact of every

moment's miracle. Don't think I haven't

peeked into windows. I see you in all your seasons

making love, arguing, talking about God

as if he were an idea instead of the grass,

instead of the stars, the rabbit caught

in one good teeth-whacking hit and brought

home to the den. What I am, and I know it, is

responsible, joyful, thankful. I would not

give my life for a thousand of yours.

 

~ Mary Oliver ~

 

(Red Bird)

 

Notice, Steve Kowit

Notice

This evening, the sturdy Levi's

I wore every day for over a year

& which seemed to the end

in perfect condition,

suddenly tore.

How or why I don't know,

but there it was: a big rip at the crotch.

A month ago my friend Nick

walked off a racquetball court,

showered,

got into his street clothes,

& halfway home collapsed & died.

Take heed, you who read this,

& drop to your knees now & again

like the poet Christopher Smart,

& kiss the earth & be joyful,

& make much of your time,

& be kindly to everyone,

even to those who do not deserve it.

For although you may not believe 

it will happen,

you too will one day be gone,

I, whose Levi's ripped at the crotch

for no reason,

assure you that such is the case.

Pass it on.

 

~ Steve Kowit

The Further You Go. Andrew Colliver

The Further You Go
By Andrew Colliver
(1953 - )

Mercy, there have been revelations.
Grace, there has been realisation. Still, you must
travel the path of time and circumstance.

The further you go, the more it comes back to paying attention.
The rough skin of the tallowwood, the trade routes of lorikeets, a sky lifting
behind afternoon clouds. Staying close to the texture of things.

People can go before you and talk all they want,
but only one thing makes sense: the way the world enters
and finds its voice in you: the place you are free.