Thursday, October 23, 2014

The Greatest Grandeur, Pattiann Rogers

The Greatest Grandeur
 
Some say it’s in the reptilian dance 
of the purple-tongued sand goanna, 
for there the magnificent translation 
of tenacity into bone and grace occurs.
 
And some declare it to be an expansive 
desert—solid rust-orange rock 
like dusk captured on earth in stone— 
simply for the perfect contrast it provides 
to the blue-grey ridge of rain 
in the distant hills.
 
Some claim the harmonics of shifting 
electron rings to be most rare and some 
the complex motion of seven sandpipers 
bisecting the arcs and pitches 
of come and retreat over the mounting 
hayfield.
 
Others, for grandeur, choose the terror 
of lightning peals on prairies or the tall 
collapsing cathedrals of stormy seas, 
because there they feel dwarfed 
and appropriately helpless; others select 
the serenity of that ceiling/cellar 
of stars they see at night on placid lakes, 
because there they feel assured 
and universally magnanimous.
 
But it is the dark emptiness contained 
in every next moment that seems to me 
the most singularly glorious gift, 
that void which one is free to fill 
with processions of men bearing burning 
cedar knots or with parades of blue horses, 
belled and ribboned and stepping sideways, 
with tumbling white-faced mimes or companies 
of black-robed choristers; to fill simply 
with hammered silver teapots or kiln-dried 
crockery, tangerine and almond custards, 
polonaises, polkas, whittling sticks, wailing 
walls; that space large enough to hold all 
invented blasphemies and pieties, 10,000 
definitions of god and more, never fully 
filled, never.
 

~ Pattiann Rogers ~
 
 
(Firekeeper: New and Selected Poems)

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