Wednesday, October 29, 2014

A Gift, Denise Levertov

A Gift
 
Just when you seem to yourself
nothing but a flimsy web
of questions, you are given
the questions of others to hold
in the emptiness of your hands,
songbird eggs that can still hatch
if you keep them warm,
butterflies opening and closing themselves
in your cupped palms, trusting you not to injure
their scintillant fur, their dust.
You are given the questions of others
as if they were answers
to all you ask. Yes, perhaps
this gift is your answer.
 
~ Denise Levertov ~
 
(Sands of the Well)
 

Thursday, October 23, 2014

The Greatest Grandeur, Pattiann Rogers

The Greatest Grandeur
 
Some say it’s in the reptilian dance 
of the purple-tongued sand goanna, 
for there the magnificent translation 
of tenacity into bone and grace occurs.
 
And some declare it to be an expansive 
desert—solid rust-orange rock 
like dusk captured on earth in stone— 
simply for the perfect contrast it provides 
to the blue-grey ridge of rain 
in the distant hills.
 
Some claim the harmonics of shifting 
electron rings to be most rare and some 
the complex motion of seven sandpipers 
bisecting the arcs and pitches 
of come and retreat over the mounting 
hayfield.
 
Others, for grandeur, choose the terror 
of lightning peals on prairies or the tall 
collapsing cathedrals of stormy seas, 
because there they feel dwarfed 
and appropriately helpless; others select 
the serenity of that ceiling/cellar 
of stars they see at night on placid lakes, 
because there they feel assured 
and universally magnanimous.
 
But it is the dark emptiness contained 
in every next moment that seems to me 
the most singularly glorious gift, 
that void which one is free to fill 
with processions of men bearing burning 
cedar knots or with parades of blue horses, 
belled and ribboned and stepping sideways, 
with tumbling white-faced mimes or companies 
of black-robed choristers; to fill simply 
with hammered silver teapots or kiln-dried 
crockery, tangerine and almond custards, 
polonaises, polkas, whittling sticks, wailing 
walls; that space large enough to hold all 
invented blasphemies and pieties, 10,000 
definitions of god and more, never fully 
filled, never.
 

~ Pattiann Rogers ~
 
 
(Firekeeper: New and Selected Poems)

Tuesday, October 21, 2014

A Prayer, Max Erhman

A Prayer
 
Let me do my work each day;
and if the darkened hours
of despair overcome me, may I
not forget the strength
that comforted me in the
desolation of other times. 
 
May I still remember the bright
hours that found me walking
over the silent hills of my
childhood, or dreaming on the
margin of a quiet river,
when a light glowed within me,
and I promised my early God
to have courage amid the
tempests of the changing years.
 
Spare me from bitterness
and from the sharp passions of
unguarded moments. May
I not forget that poverty and
riches are of the spirit.
Though the world knows me not,
may my thoughts and actions
be such as shall keep me friendly
with myself. 
 
Lift up my eyes
from the earth, and let me not
forget the uses of the stars.
Forbid that I should judge others
lest I condemn myself.
Let me not follow the clamor of
the world, but walk calmly
in my path. 
 
Give me a few friends
who will love me for what
 I am; and keep ever burning
before my vagrant steps
the kindly light of hope. 
 
And though age and infirmity
overtake me, and I come not within
sight of the castle of my dreams,
teach me still to be thankful
for life, and for time's olden
memories that are good and
sweet; and may the evening's
twilight find me gentle still.
 
~ Max Ehrmann ~
 
(The Desiderata of Happiness)

Monday, October 20, 2014

A Letter a To October, Ted Kooser

A Letter in October

BY TED KOOSER
Dawn comes later and later now,   
and I, who only a month ago
could sit with coffee every morning   
watching the light walk down the hill   
to the edge of the pond and place   
a doe there, shyly drinking,

then see the light step out upon   
the water, sowing reflections   
to either side—a garden
of trees that grew as if by magic—
now see no more than my face,   
mirrored by darkness, pale and odd,

startled by time. While I slept,   
night in its thick winter jacket   
bridled the doe with a twist
of wet leaves and led her away,
then brought its black horse with harness   
that creaked like a cricket, and turned

the water garden under. I woke,   
and at the waiting window found   
the curtains open to my open face;   
beyond me, darkness. And I,
who only wished to keep looking out,   
must now keep looking in.

Sunday, October 19, 2014

Love After Love, Derek Walcott


Love After Love
By Derek Walcott
(1930 - )


The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

Saturday, October 18, 2014

Mist Everywhere, Nate Pritts

Mist Everywhere

 
Nate Pritts

Friday, October 17, 2014

Prayer, Carol Ann Duffy

Prayer



Some days, although we cannot pray, a prayer
utters itself. So, a woman will lift
her head from the sieve of her hands and stare
at the minims sung by a tree, a sudden gift.

Some nights, although we are faithless, the truth
enters our hearts, that small familiar pain;
then a man will stand stock-still, hearing his youth
in the distant Latin chanting of a train.

Pray for us now. Grade I piano scales
console the lodger looking out across
a Midlands town. Then dusk, and someone calls
a child's name as though they named their loss.

Darkness outside. Inside, the radio's prayer—
Rockall. Malin. Dogger. Finisterre.



"Prayer" by Carol Ann Duffy, from Mean Time. © Anvil Press, 1993

Tuesday, October 14, 2014

The Poet With His Face In His Hands, Mary Oliver

The Poet with His Face in His Hands
 
You want to cry aloud for your 
mistakes. But to tell the truth the world 
doesn't need anymore of that sound.
 
So if you're going to do it and can't 
stop yourself, if your pretty mouth can't 
hold it in, at least go by yourself across
 
the forty fields and the forty dark inclines 
of rocks and water to the place where 
the falls are flinging out their white sheets
 
like crazy, and there is a cave behind all that 
jubilation and water fun and you can 
stand there, under it, and roar all you
 
want and nothing will be disturbed; you can 
drip with despair all afternoon and still, 
on a green branch, its wings just lightly touched
 
by the passing foil of the water, the thrush, 
puffing out its spotted breast, will sing 
of the perfect, stone-hard beauty of everything.
 
~ Mary Oliver ~
 
(New and Selected Poems Volume Two)

Sunday, October 12, 2014

Centrifugal, Douglas S. Jones

Centrifugal

BY DOUGLAS S. JONES
The spider living in the bike seat has finally spun
its own spokes through the wheels.
I have seen it crawl upside down, armored
black and jigging back to the hollow frame,
have felt the stickiness break
as the tire pulls free the stitches of last night's sewing.
We've ridden this bike together for a week now,
two legs in gyre by daylight, and at night,
the eight converting gears into looms, handle bars
into sails. This is how it is to be part of a cycle—
to be always in motion, and to be always
woven to something else.

Poem copyright ©2011 by Douglas S. Jones, whose most recent book of poems is the chapbook No Turning East, Pudding House Press, 2011. Poem reprinted from The Pinch,Vol. 31, no. 2, 2011

When I am Asked, Lisel Mueller

 When I Am Asked

BY LISEL MUELLER
When I am asked   
how I began writing poems,   
I talk about the indifference of nature.   

It was soon after my mother died,   
a brilliant June day,   
everything blooming.   

I sat on a gray stone bench   
in a lovingly planted garden,   
but the day lilies were as deaf   
as the ears of drunken sleepers   
and the roses curved inward.   
Nothing was black or broken   
and not a leaf fell   
and the sun blared endless commercials   
for summer holidays.   

I sat on a gray stone bench   
ringed with the ingenue faces   
of pink and white impatiens   
and placed my grief   
in the mouth of language,   
the only thing that would grieve with me.

Lisel Mueller, "When I am Asked" from Alive Together: New and Selected Poems. Copyright © 1996 by Lisel Mueller.  Reprinted by permission of Louisiana State University Press.

Source: Poetry (October/November 1987)

Friday, October 10, 2014

To The Happy Few, W.S. Merwin

To the Happy Few

Do you know who you are

O you forever listed
under some other heading
when you are listed at all

you whose addresses
when you have them
are never sold except
for another reason
something else that is
supposed to identify you

who carry no card
stating that you are—
what would it say you were
to someone turning it over
looking perhaps for
a date or for
anything to go by

you with no secret handshake
no proof of membership
no way to prove such a thing
even to yourselves

you without a word
of explanation
and only yourselves
as evidence

"To the Happy Few" by W.S. Merwin, from Collected Poems: 1996-2011. © Library of America, 2013

Tuesday, October 7, 2014

Negative Space, Ron Koertge

Negative Space



My dad taught me to pack: lay out everything. Put back half. Roll things
that roll. Wrinkle-prone things on top of cotton things. Then pants, waist-
to-hem. Nooks and crannies for socks. Belts around the sides like snakes.
Plastic over that. Add shoes. Wear heavy stuff on the plane.
   We started when I was little. I'd roll up socks. Then he'd pretend to put me
in the suitcase, and we'd laugh. Some guys bond with their dads shooting
hoops or talking about Chevrolets. We did it over luggage.
   By the time I was twelve, if he was busy, I'd pack for him. Mom tried
but didn't have the knack. He'd get somewhere, open his suitcase and text
me—"Perfect." That one word from him meant a lot.
   The funeral was terrible—him laid out in that big carton and me crying
and thinking, Look at all that wasted space.



"Negative Space" by Ron Koertge, from Sex World. © Red Hen Press, 2014

Sunday, October 5, 2014

Neighbors in October, David Baker


Neighbors in October

BY DAVID BAKER
All afternoon his tractor pulls a flat wagon
with bales to the barn, then back to the waiting
chopped field. It trails a feather of smoke.
Down the block we bend with the season:
shoes to polish for a big game,
storm windows to batten or patch.
And how like a field is the whole sky now
that the maples have shed their leaves, too.
It makes us believers—stationed in groups,
leaning on rakes, looking into space. We rub blisters
over billows of leaf smoke. Or stand alone,
bagging gold for the cold days to come.



Source: The Truth about Small Towns (University of Arkansas Press, 1998)

Friday, October 3, 2014

Sometimes A Wild God, Tom Hirons

Sometimes A Wild God
Tom Hirons



Sometimes a wild god comes to the table.
He is awkward and does not know the ways
Of porcelain, of fork and mustard and silver.
His voice makes vinegar from wine.
When the wild god arrives at the door,
You will probably fear him.
He reminds you of something dark
That you might have dreamt,
Or the secret you do not wish to be shared.
He will not ring the doorbell;
Instead he scrapes with his fingers
Leaving blood on the paintwork,
Though primroses grow
In circles round his feet.
You do not want to let him in.
You are very busy.
It is late, or early, and besides…
You cannot look at him straight
Because he makes you want to cry.
The dog barks.
The wild god smiles,
Holds out his hand.
The dog licks his wounds
And leads him inside.
The wild god stands in your kitchen.
Ivy is taking over your sideboard;
Mistletoe has moved into the lampshades
And wrens have begun to sing
An old song in the mouth of your kettle.
‘I haven’t much,’ you say
And give him the worst of your food.
He sits at the table, bleeding.
He coughs up foxes.
There are otters in his eyes.
When your wife calls down,
You close the door and
Tell her it’s fine.
You will not let her see
The strange guest at your table.
The wild god asks for whiskey
And you pour a glass for him,
Then a glass for yourself.
Three snakes are beginning to nest
In your voicebox. You cough.
Oh, limitless space.
Oh, eternal mystery.
Oh, endless cycles of death and birth.
Oh, miracle of life.
Oh, the wondrous dance of it all.
You cough again,
Expectorate the snakes and
Water down the whiskey,
Wondering how you got so old
And where your passion went.
The wild god reaches into a bag
Made of moles and nightingale-skin.
He pulls out a two-reeded pipe,
Raises an eyebrow
And all the birds begin to sing.
The fox leaps into your eyes.
Otters rush from the darkness.
The snakes pour through your body.
Your dog howls and upstairs
Your wife both exults and weeps at once.
The wild god dances with your dog.
You dance with the sparrows.
A white stag pulls up a stool
And bellows hymns to enchantments.
A pelican leaps from chair to chair.
In the distance, warriors pour from their tombs.
Ancient gold grows like grass in the fields.
Everyone dreams the words to long-forgotten songs.
The hills echo and the grey stones ring
With laughter and madness and pain.
In the middle of the dance,
The house takes off from the ground.
Clouds climb through the windows;
Lightning pounds its fists on the table.
The moon leans in through the window.
The wild god points to your side.
You are bleeding heavily.
You have been bleeding for a long time,
Possibly since you were born.
There is a bear in the wound.
‘Why did you leave me to die?’
Asks the wild god and you say:
‘I was busy surviving.
The shops were all closed;
I didn’t know how. I’m sorry.’
Listen to them:
The fox in your neck and
The snakes in your arms and
The wren and the sparrow and the deer…
The great un-nameable beasts
In your liver and your kidneys and your heart…
There is a symphony of howling.
A cacophony of dissent.
The wild god nods his head and
You wake on the floor holding a knife,
A bottle and a handful of black fur.
Your dog is asleep on the table.
Your wife is stirring, far above.
Your cheeks are wet with tears;
Your mouth aches from laughter or shouting.
A black bear is sitting by the fire.
Sometimes a wild god comes to the table.
He is awkward and does not know the ways
Of porcelain, of fork and mustard and silver.
His voice makes vinegar from wine
And brings the dead to life.

Go Deeper Than Love, D.H. Lawrence

Go Deeper than Love

Go deeper than love, for the soul has greater depths,
love is like the grass, but the heart is deep wild rock
molten, yet dense and permanent.
Go down to your deep old heart, and lose sight of yourself.
And lose sight of me, the me whom you turbulently loved.
Let us lose sight of ourselves, and break the mirrors.
For the fierce curve of our lives is moving again to the depths
out of sight, in the deep living heart.
 
~ D.H. Lawrence ~
 
(excerpt from Know Thyself, Know Thyself More Deeply)

Thursday, October 2, 2014

Half Life, Stephen Levine

 
Half Life
 
We walk through half our life
as if it were a fever dream
 
barely touching the ground
 
our eyes half open
our heart half closed.
 
Not half knowing who we are
we watch the ghost of us drift
from room to room
through friends and lovers
never quite as real as advertised.
 
Not saying half we mean
or meaning half we say
we dream ourselves
from birth to birth
seeking some true self.
 
Until the fever breaks
and the heart can not abide
a moment longer
as the rest of us awakens,
summoned from the dream,
not half caring for anything but love.
 
~ Stephen Levine ~
 
(Breaking the Drought)